Krogstad and christine relationship tips

Examining Gender in A Doll House | Debbie Barry -

The female characters are Nora, Mrs. Linde, and Anne-Marie; and the male much of the play while Mrs. Linde, Dr. Rank, Anne-Marie, and Krogstad foreshadow the boy a generous tip, she is displaying the impulsivity of her gender (Ibsen, , p. . in A Doll House 7 go to show how he views Nora's relationship to him. The relationship between Mrs. Linde and Krogstad makes for a good . http:// In "A Doll's House", Mrs. Kristine Linde, Nora's somber, lonely friend, their relationship and inspires Krogstad to amend his wicked ways.

Soon, however, Nora realizes it is Mrs. Nora remarks that Mrs. Linde has changed a great deal in the eight years since they last saw each other and tells her how happy she has been in the time that has passed. Nora is surprised and impressed that Mrs. Linde traveled to town in wintertime.

A Doll House relationship comparison: Nora and Torvald v. Christine and Krogstad Essay

Linde get comfortable and says that now Mrs. Linde looks like her old self again, only paler and thinner. Linde notes that she is also a lot older. Linde is now a widow. Linde confirms that her husband died three years ago.

Linde seems much older. Active Themes Nora asks if Mrs.

A Doll's House Jane Fonda Final Scene

Linde confirms that she was left nothing, and that their marriage was loveless. Nora asks in disbelief if that is possible, and Mrs. Linde is now completely alone, and tells Mrs. Linde about her own three children. This conversation shows the two sides to marriage: Active Themes Nora asks to hear about Mrs.

Linde how wonderful it is to have lots of money and not have to worry.

Christine and Krogstad by Adrianne Escarian on Prezi

Her speech also shows that she believes money leads to freedom and happiness. However, the fact that Nora worked suggests that she is more responsible than others may think. This is true, of course, because she also borrowed money. Linde notes that it was lucky they had the money given the circumstances, and Nora says that they got it from her father, who died around the time that they left. Nora explains that, because she was heavily pregnant and taking care of Torvald, who was sick, she was unable to look after her father in his final days, and that this was the saddest thing that had happened to her during her marriage.

This passage shows the importance of money: The fact that she took care of Torvald instead of her beloved father shows that her marriage was her priority above everything. Linde asks about Dr.

Rank, wondering if his visit means Torvald is still in bad health. Nora explains that Dr. She exclaims that she is so happy to be alive, before once again scolding herself for talking too much about herself.

She seems to be aware that it is impolite to talk so much about her own life, but is unable to stop herself. Active Themes Nora asks if it is really true that Mrs. Linde did not love her husband, and why she married him. She tells Nora that her husband had been wealthy, but following his death his business fell apart and thus she was left with nothing.

She says that she has spent the last three years struggling to survive by opening a shop and running a school, but that this is now over as her mother has died and her brothers are working themselves. The need for money effectively forced her to marry her husband, and after his death her struggle to support her family highlights the obstacles women faced in earning a reasonable income.

Indeed, both Nora and Mrs. Active Themes Nora says Mrs. Linde must feel relieved, but Mrs. Nora says that that kind of work is exhausting and Mrs. Linde would be better off taking a holiday, to which Mrs. Linde laments how easy it for someone in her position to become bitter and says she ends up only thinking about herself. Both Nora and Mrs. Without a husband and family to take care of, Mrs. Linde feels empty and worries about being selfish. Active Themes Nora promises to help persuade Torvald to give Mrs.

Nora is shocked by the accusation and says that she has had to put up with more than Mrs. She reveals that in everything she has told Mrs. Nora is clearly frustrated with not being taken seriously by others. Ironically, this frustration leads her to act rather irresponsibly, as she decides to tell Mrs. Women of Victorian society are often occupied with needlework. Linde is more mature than is Nora. Linde has gained maturity by supporting an invalid mother and young brothers, and later by supporting herself as a widow Ibsen,p.

The experiences that have given Mrs. Ultimately, Anne-Marie become the surrogate mother to the Helmer children when Nora leaves her home, and her children, at the end of the play.

Male traits of strength, stability, and logic or reason are valued in Victorian society. These traits are typically associated with men, and their occasional presence in women is often ignored or glossed over.

Torvald is a stereotypical example of the strong, stable, rational male. Torvald is in charge of his home and his family, and he controls all of the money. Torvald weakens Nora with pet names, as illustrated above. He calls her a squirrel and a lark. Nora knows that she is playing the game of the coquette; at one point, she remarks to Mrs.

It seems unlikely that Torvald really knows or sees that he is being manipulated, as such knowledge would completely shatter his view of Nora as the stereotypical, weak-minded female. This idea is reinforced when, after the party, Torvald instructs Mrs.

Linde to look at Nora because he thinks she is worth looking at. Torvald has a prestigious position at a large bank, and he has held a respectable job before the bank job. In Victorian society, men are considered to be reasonable and logical in contrast with the fanciful imagination of women.

Rank is an older gentleman who is close friends with both Torvald and Nora. He is a respectable man of good reputation and apparent wealth, but he does not fit the complete stereotype of a Victorian man. Rank is not strong; he is weakened by illness and the awareness of imminent death. He tells Nora in confidence that the illness that is taking his life is an inherited disease, and that Dr.

Rank, despite being a man, is not strong. In the Victorian age, it is not usual for a man to express tender emotions. Nils Krogstad is a widower with young children. Although being a widow bestows strength on a Victorian woman, being a widower is a liability for a Victorian man.

Krogstad is further weakened by scandal that attaches to his name. Losing his reputation in society forces on Krogstad weakness and instability.

Krogstad is a man who is able to express emotion. When he is reunited with Mrs. After establishing Nora and Torvald as stereotypical examples of gender-associated personality traits, Ibsen reverses gender roles. He does this to make the point that he has been alluding to throughout the pay in the supporting characters of Mrs.

English Blog: Relationship Between Mrs Linde and Nora Helmer

Rank, Anne- Marie, and Krogstad: Ibsen shows that these traits are held and displayed equally by both women and men, and that neither gender has a monopoly on any one human trait. Torvald has realized that he is not in control of his own life since Krogstad has the power to ruin him. Torvald is not in control of Nora since Nora has walked out on him and the children. Torvald is weak, emotional, and broken.

In other words, he is human. After the dance and after learning of Dr. Even her decision to leave her husband and her children and to go into the world on her own is a logical, rational, mature decision in the best interests of the entire family. This comment demonstrates that Nora believes that her most important, most paramount duties are human duties—not duties defined by her gender. In talking honestly with Torvald, and in following through with her decision to leave her home and her family, Nora exhibits great strength.

Nora faces the greatest unknown of her life; as a Victorian woman, Nora has been controlled and protected, first by her father and then by her husband, for her whole life. Now, Nora sets out to support herself and to take responsibility for her life.

She begins by resisting Torvald in a serious matter for the first time in their marriage.