MA English Super Notes: CLYM- EUSTACIA RELATIONSHIP
has shown her as an unconventional heroine who challenges gender discrimination and .. When Clym gives her proposal for marriage Eustacia confesses to. ing as an accident, others have taken issue with the purely suicidal inter? pretation while . Eustacia's death might thus be seen as the culmination of Clym's unsuc? . "unprecedented elaboration" of Clym's relationship with his mother in. The marriage was scarcely in accord with the old man's wishes permanently his home, too great trouble with his child's education, the expenses of which Eustacia's great personal beauty is responsible for the tragedy of the Clym,. Wildene.
Eustacia always longs for passionate love: The crippling boredom and feeling of being trapped within the heath leads Eustacia to crave an unrealistic love.Clym Yeobright
All Eustacia ever really craves is a chance to escape the Heath and lead the life she so arrogantly presumes to be her right. Is there any place like it on earth? Indeed, it should be noted that Clym is the returning native of the heath, while Eustacia is a complete alien on the heath, making her entrapment upon it even more poignant. Her belief that she will be able to convince Clym to return to Paris after they are married is another part of her downfall; she has too much faith in her own power There is a fatal incompatibility between the two lovers.
All her fears come true. The death of Mrs. Yeobright is a turning point in their relationship.
When Clym learns the real cause of Mrs. He storms in on Eustacia.
Love and Modernity: Analysis of Relationships in The Return of the Native
He screams at her and calls her a whore and a murderess. The relationship between Eustacia and Damon Wildeve is drastically different from that of Eustacia and Clym.
Both Damon and Eustacia are volatile and emotional characters, and seem to spend much of the novel acting on whims and attempting to make each other jealous. It is as though possession and competition are the driving forces behind this relationship.
Both women feel that they have an almost magnetic appeal to their male companions, and view the relationship as a game. Damon as well views their relationship as a show of power, or more specifically, possession.
Throughout the novel, he wavers back and forth between Thomasin and Eustacia, using each as a tool to make the other jealous. The grace of his movement was singular: In this relationship, both Eustacia and Damon are motivated not by love, but by a desire to possess one another, to exert their control over each other.
That couple is, of course, Thomasin and Diggory Venn. At the start of the novel, Diggory Venn is transporting Thomasin back to her aunt after her failed attempt at marriage to Wildeve. I am sure, say what you will, that I must marry Diggory, if I marry at all. Here, Hardy exhibits a typically modern relationship that is based on simply romantic love and respect.
As a Victorian novelist, Hardy examines many of the same issues that other novelists of the era explore.
CLYM- EUSTACIA RELATIONSHIP
As a modern novelist, however, Hardy does much more than simply depict the commonality of these types of relationships; he also explores the effects of modernity on each coupling, as well as offering a portrayal of a modern couple whose union is based on love and respect. In doing so, Hardy delivers a refreshingly different insight into issues that other Victorian novels deal with rather uniformly, securing his place in the literary canon as a groundbreaking author. This is just a sample from a fellow student.
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